March Meeting

 At our March meeting our speaker, Jane Stock, explained how Japanese Boro developed.  She was able to show us many examples and how she has evolved her own style.

Boro has a long history and its use grew in the less affluent communities from necessity.  They used and re-used textiles for clothes for warmth and economy.  It involved putting layers of fabric over thin or damaged areas and securing them with simple stitching.

Jane explained the use of indigo dyes on cotton and jute fabrics; natural fibres that could be grown locally.  She showed us fabric that she had dyed using "tie/dye" techniques to achieve different "depths" of colour and many differing patterns as well as printed areas.

Jane's work was varied and showed how she has experimented to produce her individual style.

Kathy Francis

Examples of her work

March Speaker

Our speaker for our meeting on the 4th March at 2pm is Jane Stock.  Her talk is entitled "The History, Traditions and Techniques of Japanese Boro". 

Jane enjoys working with a range of fabrics and media but she is particularly drawn to materials and textiles that have had a previous life and show signs of wear and repair.

She uses different processes including hand stitch, printing, and dyeing.  Indigo is her favourite colour and she is fascinated by the various patterns and effects that can be produced.  Her hand stitching is all about mark making rather than precision or regularity.

II enjoy working with a range of fabrics and media but I am particularly drawn to I   joy working with a range of fabrics and media but I am particularly drawn to materials and textiles that have had a previous life and show signs of wear and repair.  Different processes include hand stitch, printing and dyeing.  Indigo is a favourite and I am fascinated by the various patterns and effects that can be produced. 

​

My hand stitching is all about mark making rather than precision or regularity. 

​

Textile history, from samplers, to the machinery and processes of large mills their pattern and sample archives, are of d textiles that have had a previous life and show signs of wear and repair.  Different processes include hand stitch, printing and dyeing.  Indigo is a favourite and I am fascinated by the various patterns and effects that can be produced. 

​

My hand stitching is all about mark making rather than precision or regularity. 

​

Textile history, from samplers, to the machinery and processes of large mills their pattern and sample archives, are t have had a previous life and show signs of wear and repair.  Different processes include hand stitch, printing and dyeing.  Indigo is a favourite and I am fascinated by the various patterns and effects that can be produced. 

​

My hand stitching is all about mark making rather than precision or regularity. 

​

Textile history, from samplers, to the machinery and processes of large mills their pattern and sample archives, are of particular interest. enjoy working with a range of fabrics and media but I am particularly drawn to materials and textiles that have had a previous life and show signs of wear and repair.  Different processes include hand stitch, printing and dyeing.  Indigo is a favourite and I am fascinated by the various patterns and effects that can be produced. 

​

My hand stitching is all about mark making rather than precision or regularity. 

​

Textile history, from samplers, to the machinery and processes of large mills their pattern and sample archives, are of particular interest.

February Meeting

Please note a change to our planned program as our February speaker is unable to attend this meeting due to ill health. We wish Sheila well, and hope to see her at a future meeting.

The AGM will be , followed by a Members' Meeting including the following:

Members Show and Tell - We'd encourage you all to bring along a piece of work for a general show and tell;  perhaps something you've made over the last year which you'd be happy to share. 

We will launch the2026 group 6 inch square project.  

You'll see items from previous workshops where the tutors will be here again this year - to give an idea of some of our 2026 workshops, which we hope will inspire you to come along! 

We will show our Suitcase Collection -  individual items made by members 

We look forward to seeing you all on the 4th February 2026.

Programme for 2026

Please note that the pages for Speakers and workshops have been update to reflect 2026.

December Meeting

 The meeting in December is a practical in the afternoon at 2.00.  The project is pictured below.  

November Meeting

 At our November meeting we were introduced to Alyssa Robinson’s method and source of ideas for her textile art.  With many detailed samples, she explained the development of an original idea isolating and analysing separate colours in a picture or natural object.

Like many of us she had always sewn from childhood but embroidery inspiration came later and she did City and Guilds embroidery.

Alyssa now does bespoke items as well as teaching and has her own studio on Leicestershire/Northamptonshire border.

Examples of her work

Work in progress - Design being coloured in with stitch

Final design printed on cushion

November Speaker

 Our speaker for November  is Alyssa Robinson and her talk is entitled "One thing leads to another" The meeting is in the afternoon at 2 pm.

Alyssa and her mother enjoyed getting the new edition of Golden Hands Magazine each month and she loved all the different techniques and remembers making a smocked dress for a little girl in the seventies.

She made clothes for dolls from her mothers dressmaking offcuts and then things for herself. She learnt sewing all through school, and made stage costumes and copies of high street fashion for herself.

She qualified and worked as a cartographer and geologist but always spent spare time making clothes, eventually setting up a bespoke dressmaking business.

After some amazing years as a full time mum, she enrolled in a City & Guilds Embroidery course and hasn't looked back.  By the time of her Diploma Show, She had completed her Post Compulsory Education Certificate and was teaching the beginners' class at the same college.  After 7 years teaching there, she set up her own studio on the Leicestershire/Northamptonshire border and set about teaching City & Guilds courses and day workshops.   

​

​