Sunday 22 September 2024

September Meeting

 

Our speaker for the 2nd October is Nikki Parmenter and her talk is entitled "Post Cards and Projects". This is an afternoon meeting.

She is a Cheshire based artist who specialises in mixed media, textile based pieces. She takes her inspiration from a variety of sources and she is particularly interested in the way in which ancient societies created a series of visual symbols to represent the things which were important to them. She investigates myth and legend and draw parallels between societies, showing that although many people have different beliefs we are all united by visual iconography.

She has exhibited widely both in group and solo shows both here and abroad  and has had articles published in magazines and on the internet. She also features in Kim Thittichai's book, 'Experimental Textiles'. Her work has won  prizes at The Ferens Open, The Potteries Open and the Grosvenor Open  Exhibitions.

She has received positive feedback from the galleries where she has exhibited as  she tries to make her work accessible to all age ranges and to people from different backgrounds. Viewers, especially younger people, respond to the visual  richness of the objects whilst others make connections with their own religious beliefs and feelings.


Her workshop on the 3rd October is Fantastic Flowers


A sewing machine, fabrics, soldering iron and glue gun are needed for this workshop. You will learn how to bond fabric together in order to create an intensely coloured piece of material which will be made into a 3D flower with a padded centre.

Friday 6 September 2024

 

Our speaker for September was Jane Cobbett and she entertained us with a talk on the history of quilting from a reference to Mary Queen of Scots and her ladies, cutting triangles of fabrics to modern art quilts.  The inspiration in that period for the shapes used for patchwork were probably leaded windows and tiles.  She encouraged us to make a template out of a square of paper which produced an elongated hexagon.  This was how patchwork pieces were produced prior to 1860 when templates were first available. 

In the late Victorian period, the popular quilts were Crazy Patchwork which used all different types of fabric and was usually embroidered, Sun Bonnet Sue, which evolved into the crinoline ladies, and Red Work which could also be brown and blue but is still called Red Work. 

She also told us how seed sacks were used to make quilts in America and as a result manufacturers of the seed sacks created patterned sacks.  Four sacks would make a quilt backing and three would make a garment.  The fabric was very course but sugar and flour sacks were of a much finer quality. They were particularly used during the depression.

In the 1950’s the quilts were very much make do and mend and then in the early 1970’s became popular eventually evolving into the art quilts that are made today.

It was a very enjoyable evening and very informative.

Crazy Patchwork Tea Cosy

Cathedral Window Patchwork

Dresden Plate block made from Seed Sacks


Monday 29 July 2024

July Meeting

Gill from GillyMac Designs had us all doodling to encourage us to take up free machine quilting. On the overhead screen she showed us various different continuous patterns that are simple and look effective.  After she had showed us each design she then encouraged us to try drawing the designs and to get our minds and hands to memorise the action required to create them.  Free machine quilting requires lots of practise and drawing the designs does help.

Examples of Gill's free machine quilting






Sunday 23 June 2024

July Speaker


Our speaker for July is Gill from GillyMac Designs and her talk is called "Doodle your way into confident machine quilting." 

 In 2014 Gill set up GillyMac Designs to teach local children and adults to sew.  Gill quickly won national awards with her children’s classes and was recruited to teach classes for Liberty of London and works nationally for the Quilters Guild of the British Isles. 

Gill’s work has been shown around the UK as part of the GENArt movement, including being exhibited at the Turner Contemporary Gallery.

Over the past 5 years, Gill has expanded GillyMac Designs to four adult weekly classes and three weekly teen classes and the much loved Junior Sewing Bee.  Other classes are developed and fitted into this busy schedule.

Gill has also grown a large vibrant online community on Facebook and Instagram as well as setting up the online GillyMac Club for all her pupils to join and continue to share their work and learn from Gill regular online sewalongs.

Saturday 15 June 2024

June Meeting

Our June meeting was held on 5th featuring Michelle Moody. As well as being a founder member of Quilter’s Guild she is a very experienced quilter herself.  She explained her quilt journey and the stories behind a very large number of quilts that she brought to show us.  One could not fail to be impressed, partly by the sheer size of some of them, but even more by the fact that they were hand quilted.    I myself had never seen so many hand quilted examples in one place!

Michelle had a very easy way of talking, explaining and answering questions.  She belongs to a number of groups and runs many workshops as well as selling her quilts and doing commissions.

Detail of a bought Indian Quilt

Details from Michelle's Quilts





Monday 27 May 2024

June Speaker


 Our speaker for June is Michelle Moody.  Her talk is entitled "My Life in Pieces".

Michelle has been quilting for over 40 years and still enjoys learning new techniques.  She is a well respected teacher of various styles. She's a founder member of the Quilters Guild which was established in the 1980s.  Michelle also belongs to a number of local groups, which meet regularly and like many of us, she admits to having far too many UFOs.  Her website is Rosemary Rabbit Quilts, where she sells her quilts and also takes on commissions.

Tuesday 14 May 2024

May Meeting

 Angela Daymond, with her “ Kantha – 500 Years of Stitch” did not disappoint at our May meeting.

As well as a detailed explanation of Kantha work and the stitches used,  Angela impressed with both her slide presentation and many beautiful really old quilts from her own collection.  The volume of stitching and the effects achieved were eye catching and members were able to examine them closely for themselves.

She also highlighted the therapeutic effect of Kantha work and the popular ‘slow stitching’ and put out a challenge to use the technique to make a cushion cover using a favourite fat quarter which might have been purchased in the past and only stroked and admired up until now.  I think many of the audience recognised such benefits of sewing especially during the lockdown period.

Kathy Francis




Details of Kantha pieces made in South Asia

Angela's beautiful kantha work