Our speaker for our meeting on the 4th March at 2pm is Jane Stock. Her talk is entitled "The History, Traditions and Techniques of Japanese Boro".
Jane enjoys working with a range of fabrics and media but she is particularly drawn to materials and textiles that have had a previous life and show signs of wear and repair.
She uses different processes including hand stitch, printing, and dyeing. Indigo is her favourite colour and she is fascinated by the various patterns and effects that can be produced. Her hand stitching is all about mark making rather than precision or regularity.
II enjoy working with a range of fabrics and media but I am particularly drawn to I joy working with a range of fabrics and media but I am particularly drawn to materials and textiles that have had a previous life and show signs of wear and repair. Different processes include hand stitch, printing and dyeing. Indigo is a favourite and I am fascinated by the various patterns and effects that can be produced.
My hand stitching is all about mark making rather than precision or regularity.
Textile history, from samplers, to the machinery and processes of large mills their pattern and sample archives, are of d textiles that have had a previous life and show signs of wear and repair. Different processes include hand stitch, printing and dyeing. Indigo is a favourite and I am fascinated by the various patterns and effects that can be produced.
My hand stitching is all about mark making rather than precision or regularity.
Textile history, from samplers, to the machinery and processes of large mills their pattern and sample archives, are t have had a previous life and show signs of wear and repair. Different processes include hand stitch, printing and dyeing. Indigo is a favourite and I am fascinated by the various patterns and effects that can be produced.
My hand stitching is all about mark making rather than precision or regularity.
Textile history, from samplers, to the machinery and processes of large mills their pattern and sample archives, are of particular interest. enjoy working with a range of fabrics and media but I am particularly drawn to materials and textiles that have had a previous life and show signs of wear and repair. Different processes include hand stitch, printing and dyeing. Indigo is a favourite and I am fascinated by the various patterns and effects that can be produced.
My hand stitching is all about mark making rather than precision or regularity.
Textile history, from samplers, to the machinery and processes of large mills their pattern and sample archives, are of particular interest.
